8/5/18 7:30 PM   Deco Piano Trio
The Piano Trio in B-flat major, Op. 97 - Beethoven
Piano Trio No. 1 in B major, Op. 8 - Johannes Brahms

8/6/18 4:30 PM   Deco Piano Trio
Piano Trio No. 39 in G Major, Hob. XV: 25 (“Gypsy”) - Haydn
Piano Trio No. 1 in D minor, Op. 49 - Felix Mendelssohn
    

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DECO PIANO TRIO
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The Deco Piano Trio takes its name after the Art Deco movement which combined  modernism, cubism, and abstraction with elegance and a belief in social progress. Breathtaking Deco architecture can be found across the world, from Paris’s Folies-Bergere to Tokyo’s Diet Building to the crown of New York City’s Chrysler Building. Art Deco was perhaps the first style of art to be truly internationally unified; members of the trio are from Taiwan, Sweden, and the United States.
The Deco Trio recently appeared in Vermont, Wyoming, Michigan, and Arizona. The 2017-18 season includes trios by Beethoven, Piazzolla, and Brahms, and the Triple Concertos by Beethoven and Martinu.
The Deco Trio is Chi-Chen Wu (piano), Gregory Maytan (violin), and Theodore Buchholz  (cello). These artists are from the faculties of the University of Wyoming, Grand Valley State University, and the University of Arizona.

Chi-Chen Wu
Praised by World Journal, Chicago for her “amazing playing”, “symphonic, expansive texture of breathless virtuosity” (Historical Keyboard Society), and her Schumann performance, in which “the music comes to life in a new way” (Early Music America), pianist Chi-Chen Wu has appeared as recitalist, chamber musician and concerto soloist in the United States, Canada, France, Italy, Spain, Japan, Taiwan, China, the Aspen Music Festival, Monadnock Music Festival, Boston Early Music Festival Fringe Concert Series among others. Her concerts have been broadcast on NPR’s Simply Grand Concert Series and NPR-From The Top in Boston. Musicians and conductors with whom she has concertized include Karl-Heinz Steffens, Jonathan McPhee, Zuill Bailey, members of the Julliard String Quartet, Takács String Quartet, musicians from the Chamber Music Society of Lincoln Center, and members of the Boston Symphony Orchestra as well as New York Philharmonic.
A native of Taiwan and prize winner of several Taiwanese national piano competitions, Wu came to the United States for graduate study and received two master’s degrees, piano performance and collaborative piano, and a doctorate from New England Conservatory (NEC), where her teachers included Jacob Maxin, Irma Vallecillo, John Moriarty, Kayo Iwama, and John Greer. She has also worked with Thomas Quasthoff, Martin Katz, Kim Kashkashian, Lawrence Lesser, and Gabriel Chodos. Upon her graduation from NEC with Distinction in Performance and Academic Honors, she was appointed Assistant Professor at National Taiwan Normal University (NTNU).  In addition to her teaching duties at NTNU, she also served as coordinator of collaborative piano study and developed the graduate program’s curriculum.
In 2007, Dr. Wu accepted a position of visiting scholar at Cornell University, where she taught piano, studied fortepiano with Malcolm Bilson, and conducted research on historical performance practice with Neal Zaslaw. Continuing with her research interests, in the summer of 2011 she presented a research paper on Schumann’s metronome markings at World Piano Conference in Serbia. This paper received “Diploma of Excellence” from the World Piano Teachers Association, the highest accolade of this organization.
An interpreter of contemporary music, Chi-Chen Wu was the official pianist of Aggregate, a Boston-based composers group and was pianist in the premier of the piano version of John Harbison’s The Great Gatsby. She world premiered The Poet and The War by Norber Palej and recently performed as soloist Piano Concerto No. 2 by Malcolm Williamson.
As a recording artist, Chi-Chen’s album of the complete Schumann sonatas for piano and violin won two Gold Medals from the Global Music Awards and was named in the Top 10 “Best Classical Recordings of 2015” on The Big City, New York which included the New York Philharmonic. Her recording of Schumann’s Carnaval and Fantasie was released in July 2017. She has recorded Haydn Lieder on a replica of Walter fortepiano with soprano Andrea Folan for Musica Omnia. Her recital and discussion on piano collaboration are featured on the DVD “Performing the Score” released in 2011. Projects in the 2017-18 season include concert tours in Thailand, Singapore, Taiwan, Massachusetts, Arizona, as well as Michigan, and concerto performances in Seattle and Laramie.
Dr. Wu is assistant professor of piano and coordinator of collaborative piano at the University of Wyoming. Her students have been prizewinners in numerous competitions, including the northwest division of the MTNA competition, and have been accepted for graduate study at the Juilliard School, New England Conservatory, McGill University, Conservatoire de Paris and other such institutions. She was recently selected as one of the Top 10 Teachers of 2017 in the College of Arts and Sciences at the University of Wyoming. During the summer, she teaches at the Killington Festival in Vermont. Dr. Wu is currently President of Wyoming Music Teachers Association and is represented by Great Lakes Performing Artist Associates.

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Gregory Maytan has been praised by The Strad for his ‘infectious vitality,’ ‘lyrical freshness,’ and ‘sparkling energy’. Other reviewers of his records and concerts have noted his ‘brilliant playing’ (Jacobsson, HiFI magazine) and his ‘heart-racing excitement and verve’ (Scott, Strings Magazine); he has been praised as ‘a technically extraordinarily well-versed violinist’ (Loskant, Nordseezeitung), and also for ‘his lovely, deep and profound sound’ (Hultman, Vasterbottens Kuririen). His recent ‘confident’ performance of the Beethoven Violin Concerto was described as ‘vigorous and intelligent’ and ‘beautifully expressed and nuanced’ (Sparks, Commercial Appeal), and the BBC praised his ‘seemingly effortless poise’ of his ‘sensitive, devoted performances’ (Haylock, BBC Music Magazine).
Maytan performs regularly as a soloist, chamber and orchestral musician and has performed extensively in Europe and the US. He has performed chamber music with the likes of Dylana Jenson, Bernt Lysell, and Mathias Tacke (Vermeer Quartet). Recent engagements include multiple performances of the Beethoven, Prokofiev, Paganini, Sibelius, Bruch, Maier, Beethoven, Barber and Tchaikovsky Violin Concertos with orchestras in Nevada, Tennessee, Texas, Illinois, Indiana, Michigan, South Dakota and Sweden. He has also performed as a soloist in the Paganini and Tchaikovsky concertos in tours throughout China, Austria, Hungary and Slovakia under conductors such as Dennis Russell-Davies, Raymond Harvey, and Evind Gullberg-Jensen. An avid chamber musician, he has participated in the prestigious chamber music festival ‘Musikveckan’ in Junsele, Sweden; the Belvedere Chamber Music Festival in Memphis, TN; the Grumo Festival in Italy, the Korsholm Festival in Finland, the CICA Festival in Eureka Springs, AR, Dallas, TX and Taipei, Taiwan; and the Saga tuck Chamber Music Festival in Sagatauck, MI. He has performed at venues such as Ravinia, Tanglewood, and the Chicago Cultural Center and has performed solo recitals twice on Chicago Public Radio as part of the Dame Myra Hess series.
Maytan’s first CD, consisting of music from his native Scandinavia, was selected by The Strad as the top recital CD of April 2009 and highly praised by Strings Magazine and the American Record Guide. He other recordings include the sonatas of Faure, Franck, and the Chausson Poeme, as well as other Scandinavian music. Most recently, he has recorded a CD featuring the violin concerto by Amanda Maier (1853-94) together with the Helsingborg Symphony (where he also performed the concert as a soloist in a subscription concert), as well as several other previously unrecorded chamber works. Maytan is likely the first violinist ever to record the complete works for violin by Amanda Maier.
He has participated in the International Chamber Music Festival in Vienna, Austria, where he was a featured prize winner, and he has been awarded significant cash awards in the Swedish Royal Academy’s competition for post-graduate violinists during the years 2006, 2007 and 2008. He has performed and toured with numerous orchestras, and his concerts have been broadcast on radio and television in the U.S. and Europe. A sought-after teacher, he has presented masterclasses and recitals at numerous universities across the US and abroad, among them the University of North Texas (Denton), Butler University (Indianapolis), Michigan State University (Lansing), the University of Alabama (Tuscaloosa), the University of Auckland (New Zealand), the Sydney Conservatory (Australia) the University of Arizona (Tucson) the University of Nevada (Reno), the Yamaha Concert Hall in Taipei, Taiwan, and the Norwegian State Academy of Music in Oslo, Norway. He has also himself participated in masterclasses with Zakhar Bron, Leonidas Kavakos, and Michela Martin.

Maytan is a member of the contemporary musical ensemble Luna Nova. He also maintains a regular collaboration with his outstanding pianist Chi-Chen Wu as a member of the newly formed Rainier Duo. During the summer of 2014 Maytan presented a series of 16 concerts throughout Sweden through the agency Motile, performing in such venues as the main concert hall at Norrlandsoperan in Umea, Sweden. He has served as guest concertmaster of the Vasteras Sinfonietta, the Kalamazoo Symphony, the Northwest Indiana Symphony, the West Michigan Symphony and the Illinois Symphony Orchestra and is permanent concertmaster of the Battle Creek Symphony. Maytan has also performed as concertmaster and section leader for legendary conductors Kurt Masur and Christoph Von Dohnanyi at Tanglewood.
During the 2017 spring semester Maytan was awarded and completed a Fulbright Specialist Grant at the Norwegian State Academy of Music where he taught and performed. A pedagogical book collaboration with professor Terje Moe Hansen is planned for release in late 2017.
He earned his doctorate in violin performance from the Indiana University Jacobs School of Music in Bloomington, where he studied with the renowned violinists Miriam Fried and Paul Biss. He is currently performing on a violin from 1683 made by Giovanni Grancino, on loan from the Jarnaker Foundation administered by the Swedish Royal Academy of Music.
Maytan is represented by the Great Lakes Performing Artist Associates.

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Theodore Buchholz is the cello professor 
at the University of Arizona, where he also serves as String Area Coordinator, String Chamber Music Coordinator, and the Director of the UA String Project. As a performer Theodore Buchholz has been lauded by newspaper critics as a “Virtuosic cellist,” an “Outstanding performer,” and a “Wonderful musician.” He has performed in prominent venues from New York’s Lincoln Center to international halls in Italy and Tokyo, and in important venues across the United States. He toured the recently commissioned concerto The High Songs by Carter Pann, and this season will perform Brahms’s Double Concerto and Beethoven’s Triple Concerto with orchestras across the U.S.
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Dr. Buchholz’s recording of the Hans Winterberg Cello Sonata will be released under the Toccata label in 2018, and he is a member of True Concord whose CD recording won a 2016 Grammy Award. Theodore served as a professional orchestral musician for ten years, and has collaborated in chamber performances with members of the world’s leading ensembles. During the summers he performs and teaches at the prestigious Killington Music Festival in Vermont. More information is at www.killingtonmusicfestival.org. He performs on an outstanding cello made in 1877 by French luthier Charles Mennégand.
As a nationally recognized researcher, Dr. Buchholz served as the Cello Forum Editor for the award-winning journal American String Teacher. Dr. Buchholz’s research accomplishments include publications in the Journal of Historical Research in Music Education, American String Teacher, and frequent presentations at national conferences. His current research is focused on historical cello treatises, and he edited the technique book Exercises and Etudes for Elegance of Sound and Form in Cello Playing.
A fervent believer in the power of music education to transform lives and communities, Dr. Buchholz launched the University of Arizona String Project in 2015. This program employs ten university music majors and offers private lessons and ensemble rehearsals to 80 K-12 students. Through the endowment of a generous donor, this program offers free private lessons to community students who might otherwise have no exposure to music education.
As a leader in music education, Theodore Buchholz regularly appears as a guest artist/teacher in leading conservatories and universities. Dr. Buchholz is a voting member of the National Academy of Recording Arts and Sciences. He serves as a member of the ASTA Collegiate Committee and he is the Past-President of the American String Teachers Association of Arizona. Dr. Buchholz is the Director of the Tucson Cello Congress which annually brings 100 cellists to the UA for a weekend of concerts and master classes.
Dr. Buchholz studied at the San Francisco Conservatory of Music and the Manhattan School of Music. His principal teachers include Nathaniel Rosen, Bonnie Hampton, Robert Jesselson, and Sadao Harada of the Tokyo String Quartet.

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